
Oh I don’t know! I can’t decide. Done a little sketch to think about it. I like doing surreal things, it’s hard to get it right but it can work….. Anyway I’m going to finish my lion painting and will come back to this….
New paintings and regular art updates.

Oh I don’t know! I can’t decide. Done a little sketch to think about it. I like doing surreal things, it’s hard to get it right but it can work….. Anyway I’m going to finish my lion painting and will come back to this….
I like surreal art and I’m trying to decide whether to add faces to my winter tree painting. I’ve added them in a sketching app just to get an idea of how it would look?
What do you think? Should I? Dare I? Or not?

I’m doing winter paintings now. First one started, winter tree. I’m trying to get the twigs and snow correct. Just working from a random free photo off the Internet as we don’t have anything as picturesque as this in the area, plus of course its raining not snowing! More later…

Finished paintings delivered to the Waiting room gallery today. They are going to be part of the “Home is Where the Art is” exhibition starting soon. Now I need to work on paintings for the Brampton Christmas sale exhibition. I’ve only got a week to get some appropriate work done. I might also find out about getting some cards made from my images.
After the intricacies of the previous painting I decuded late last night to start this, based on photo that I’d worked on to turn it negative. It’s also got an interesting effect of light and dark on things like the chain link fence and round the edges of the bottle ovens.
I don’t paint bottle ovens very often, they are iconic round here, but there are an overwhelming number of ainting of them. Everyone has their own style and thoughts about them, this is me trying to put on a different spin if you see what I mean. The finished work will be called Winter kilns.
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it’s coming on. But I know I’m looking too closely, which means I need to stand back and work out what if anything is wrong. I still need to add more bricks and sort out the trees. If I get this done I might do one of the bottle ovens.
Little brushes, lots of bricks, tiles, leaves, boards on the windows…. A derelict building, falling down gradually. I wish someone would take it on and look after it.
I’m in the middle of painting this nightmare of bricks! I’m also struggling with the perspective. I want to do more to it but I’m having a break for a bit. I’ve noticed that the windows are not lined up properly so I will have to over paint a section of it. Also, although the photo is quite dark I’m trying to get more shaping and brighter colours into the autumn leaves and I think I will try and lighten the bricks possibly by adding lines of paler mortar between the bricks. Anyway it’s a work in progress and it needs more work.
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Every so often my Facebook page comes up with memories of older paintings. I think all of these were done in 2016. They were on display in Cinders Hub in Newcastle-under-Lyme and two of them sold. I still have the painting of the koi carp. I realise now that although I paint a wide range of images I do like repeating certain themes.
I love colour as you can see, and I also love pattern.

I was looking for an image to paint yesterday and found the oldest green man that has been found. I think it’s French, or what became France, as it said it was 1st or 2nd century. I painted it yesterday and it was in the craft fair although it didn’t sell. I think I will do a bit more work on it….
why? Because I think I’ve made it too green. Which is strange as its a green man….

I think this is my last painting for the craft fair, I’m getting too tired. This owlet was on a calendar and I couldn’t resist painting it. I think it is so cute. X
I find painting feathers and fur difficult. You can’t paint every strand of hair, tuft of fur, or every feather but if I can get a good impression of the details, that will have to do.