New paintings and regular art updates.
This would have been 17 years old if the Leopard Hotel in Burslem hadn’t burnt down two and a half years ago. I don’t seem to have had much luck with murals. At least three were in buildings that were later knocked down. The risk of being a mural artist I guess is that if they are painted in old buildings they might not outlast you!
What’s the oldest thing you own that you still use daily?
I still use an old mug that I’ve had for over twenty years. There’s a small crack in the top of the handle that flexes slightly when I pick it up if it’s full. One day I think it will either get broken in the washing up bowl or when I pick it up. Hopefully the first option as I don’t want a lap full of decaff!
I do use it virtually everyday but I can’t find it now so I’ve used a stock photo that looks like it. It’s like goldilocks, just the right size for a drink, not too much, not too little. The handle fits my hand just right.
I don’t know the manufacturer, but it’s likely to be local as I live in an area called “the potteries”. You can tell people are from here. They lift up pottery and look underneath for the manufacturer’s mark (backstamp). It’s so well known that its called the “turn over club”!
Something my mother collected, possibly a wedding present from the 1950’s? I’ve always loved this set. I borrowed it off my sister so I could use it in some college work about dragons.
This is a Chinese dragon I think? It might be Japanese, the way to tell is the number of toes on its feet. I think I remember that Japanese dragons have three toes and Chinese have four or five? If you know please remind me.
The coffee set was probably made for the export market and won’t be worth a great deal but I like it, it’s quirky and interesting. I think the dragon itself is quite humerous. I like the colours, also the airbrushing and the slip trailed areas.
I just Google imaged this, it’s Japanese Moriage Bone China.
A giant cat wrapped around a pottery bottle oven, called keeping warm. I drew this along with a few more cat and pottery designs back in 2017. It just came up on my Facebook memories today. Black and white sketch using a black biro if I remember correctly.
I tried my hand as (bad) sculpting yesterday. I think because I bodged this together there might be trapped air and I am a bit worried this might explode or the tail or front legs fall off in the kiln. I did hollow it out to make that mess likely, and using that extra bit of clay I made a pinch pot in the shape of a flower. I expect both pieces to shrink when they are biscuit fired and then I might glaze them. Anyway it’s a bit different to painting. X
Umbrella mural I painted for the Leopard Hotel in Burslem, Stoke-on-Trent in about 2006/7. Based on a design by Clarice Cliffe the Potter. The white line on the top left was a white ribbon hanging down that had been used to decorate the Arnold Bennett suite in the back room of the Leopard. About 3 x4 foot. Emulsion paint on lining paper which was glued directly on the wall. Sadly the hotel burnt down a couple of years ago and all my murals were lost.
I’m painting a broken man,
The cracks run through him
Shards of bone and flesh
Split and shattered.
Gluing him together
Bit by bit… With Gold
Like Japanese pottery
Once broken
Now finally held
With love.
Lined up in a row, like geodes waiting to be cut. Ceramic globes and fragments at the British Ceramic biennial exhibition last weekend. How quickly time flies. I wanted to share another photo that I took. There are too many to share but I likes this set of objects, like the cores of planets. I imagine them with hollow centres and amethyst crystals.
I took a lot of photos at the British Ceramic biennial, the ceramics were remarkable. This object is made up of several pieces. Coloured in what I would call ice cream colours, pastels that I would associate with the seaside. The rope makes me think of bouys or the floats on lobster pots. I didn’t get a catalogue so I’m afraid I don’t have the details of the artist involved.
Today was the last day of the biennial exhibition. We only managed to get to the one venue at All Saints church on Leek Road Stoke-on-Trent. The pottery and ceramics on display were remarkable. From abstract to classical, but all with a modern twist. I wish I’d managed to get round the other venues, but I didn’t feel up to it. Anyway I bumped into a couple of friends. I will probably post a few more photos later.
Mallaband-Brown