Life drawing and all that…

Tonight was time for another life drawing class.

The model is very good at interesting poses. I do not know how she could remain so still, but it certainly made drawing easier. We did a series of short poses, then a long one which lasted the rest of the session.

One of the things I love to do is try and draw fine detail in pencil and coloured pencil. The sketchbook I am using is only about tablet size so what the drawings lack in scale I can try and make up for by adding details.

They are by no means perfect, but that’s the reason for practicing.

I decided to take my tablet tonight which has a few drawing apps on it. I used sketcher for galaxy, (I think its called) to do a final drawing. It was  difficult as I lost my stylus and need to get another one. So I ended up doing a glorified finger painting.

I find I have to swap tools on the app to try and get close to what I would find far easier to do in crayon or conte. However it makes for a looser drawing, and I think the result was quite interesting. I even found the way to colour the background. No doubt there will be more to follow!

 

So close…and now it’s finished!

After hours of work my willow pattern painting is finished.

I have finished working on it after having to have a rest .IMG_20180129_191216_656

I needed to add details in the reflection at the bottom of the painting , plus shading and highlights on the platter and behind it so it stands out more.

This is the third painting of ceramics I have done in this series.

this jug was the second acrylic on canvas I did.

and this is part way through the teapot painting, which was the first one I did. ..

Im not sure how many more I will paint.

A quick update

It’s been a couple of days and I’m getting on quite well with this painting of a willow pattern platter. I’m now working on the border and will then try and get more depth and shading into the background .

I’m hoping the paler, cooler colours help the cobalt blues of the plate stand out. This Is the third painting in a collection of ceramics. There may be more to follow.

Working to a deadline

I’m still working on new paintings to sell at the new hotel at Spode, but I only have a few weeks to get them done. Working to a deadline means that I have to try and give myself enough time to do my pictures, but also time for other things. Staying up till 5.30 am is OK occasionally but I cant do it every night.

I started this new painting last night and hope to have it finished in the next couple of days. The details are hard to do when you are holding the canvas and your computer tablet in one hand, and the paintbrush in the other. That’s is because I need to look closely to see all the tiny details on the painting and the photo I’m working from.

The original picture is of a round plate. But I remember a large platter from my childhood so I am trying to fit everything onto a more oblong shape… it will make an interesting challenge…the border will have to be changed to fit the space. I also want to get some shadows and reflection into the background, so wish me luck!

I have 5 more paintings to do in time for the opening. These will be pictures of parts of the Spode site if I can get some interesting views. Hopefully the contrast of the industrial heritage of the potteries and the ceramics that was made here will make for an interesting show.

Life studies

Some of the most difficult things to draw are people. They are all shapes and sizes, different skin tones, hair colours. So many things to try and get right. Thats why I have started going to a life drawing class again.

 

I think I’m reasonably good at drawing, but I do sometimes draw without looking properly. The first two pages of drawings here are 5 minute sketches. No real time to think, you have to be spontaneous to try and capture the whole figure before the pose ends.

The more worked up drawing took an hour. It was only after I had finished that I realised either the head is too large or the rest of the body is too small…I was doing something wrong, concentrating in the detail and not looking at the whole picture.

One thing I could have done is put the paper on an easel so that the surface would have been at a better angle. By tipping the drawing pad the top was further away, and there is a tendency to draw those areas slightly bigger. You can sometimes see the same effect if you have your drawing flat on a table, the image will look elongated when you pick it up. Sometimes the image will be skewed to one side if you drew with the paper at an angle. It’s all a learning curve. No pun intended.

The final picture was painted on a black canvas. I think this helped make it more interesting. The lower thigh is very foreshortened. I would have used the drawing of the pose to rectify this but I dont think its accurate enough. So I will continue to go to life drawing to improve my skills.

I would recommend drawing classes to anyone who wants to get better at sketching.

Not another one!

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Soon to be finished I hope. The top image was taken at 5.30am…but I need some sleep!

This painting of a jug had a pattern of Ivy and Holly which is similar to something I saw on a Spode mug.

The background of Ivy leaves will need work as will the shape at the top of the jug. I’m trying to get an effect of shiny tiles underneath it and a fabric screen behind. The painting may have some gold added to it as I want to paint studs or rivets around the screen at the back.

This took a while

I have just finished this painting of Jessie Shirley’s Bone and Flint Mill.

The building is at Etruria in Stoke on Trent and has the last remaining steam engine which was used to grind bone and flint to use in bone china pottery. Its an impressive building and is quite complicated to paint. The mortar and bricks were  particularly difficult.

The steam engine is going to be working later in the year.

Its a small wide canvas to give a panoramic view. Acrylic paints help speed the drying and allowed me to paint clear details with fine brushes, I hope people like the result.20180122_020733

Anyone for tea (pot)?

This is a current work in progress….

 

I’m working on a painting that might be a bit odd, but as I live in the Potteries its nice to do something that reflects that heritage.

The painting is a bit smaller than A2 in size, acrylic on canvas. Although I have looked at a couple of reference photos its mostly from my imagination. I decided on a dark background to make the teapot stand out more. I need to do more work on the background wood panelling and the pot. Bringing in more reflections and light.

Work in progress

20180109_185901I’m trying to do some paintings of pottery. I know what I want to do in my minds eye, but getting it down on canvas is a different matter.

Do I copy directly from reference photos, imagine a peice of pottery or do a bit of both? In this case I have used a photo of a teapot shape, but have started to create a pattern based on a local pottery pattern, but not an exact copy. I am not sure what to do next but I’m considering adding butterflies or flowers…. I suppose I could add any additional object…. I just don’t want it looking too flat .