Fire

Today I painted a fire for the play Who is Molly Leigh…. Not the fire surround or the hearth, or the objects around it, but a piece of cardboard with a brick chimney backing  painted on it and a coal fire burning strongly in the grate.

I asked another maker what she thought and she felt the flames should be more yellow and red, but the photo I worked from showed bright white flames surrounded by glowing yellow, orange, and red. It’s funny how people’s imaginations have stereotypical ideas of how things should look. I really enjoyed adding bright colours in between the coals to make it look really hot.

Creepy cave

How do you know it’s creepy? It’s written on it…

Mystery Play set. In the past I would paint 2 or 3 8x8ft panels for the Mystery Plays. The last time was 5 years ago just before Covid struck. Then a year ago I was diagnosed with Parkinsons disease. Now it’s taken me all my time to do this and a cottage scene on the back of it. Luckily we have old bits of scenery to fill the gaps. I wish I could do more….

A square cow

Loose copy of a “square” cow. Farmers didn’t have photographs of their animals so they often had portraits painted to show how much flesh the animals had. This led to distorted images with massive, square bodies and small heads and legs! I’ve seen paintings like this in old pubs in the countryside.

It’s a small acrylic on canvas covered board. I’m helping a group create some paintings about the witch Molly Leigh and they wanted pictures linked with the countryside and farming. I’m doing more. I’ve also done a square pig!

Paints

What paint to use on scenery? It would be cheaper to use emulsion paint, but the tins are too big for the Mystery Play job as we only have a few pieces of scenery to paint, so I got out my trusty acrylic tubes. The palettes are a bit of a mess, but I have to admit I like peeling the paint off to see what the back of the paint looks like (shiny and smooth, multicoloured).

More to do, tired…

Cave

Turned a block built stone wall on the back of the cottage scenery into a creepy cave today…. With the help of three other people. It was so good to get help. I’m physically shattered and would have struggled for days to get this done. But with a little help and much appreciation it’s done. It needs a bit of wood to support it. By the way it reminds me of Cezanne in a way. X

Can’t do as much…

In the past I used to do 8 ft square boards of scenery for the Mystery plays, and I could paint rapidly. Now it’s taken me all my time just to do this and a few bits and bobs. I don’t have the strength in my arms so this was mainly painted with a small brush and instead of using a full sized board I have one that has an extra couple of bits stuck on. It has a hole because the back of it was already painted as a cave. It’s due to be a witches cottage I still try to be me.

Mystery Play update

A previous play

At today’s rehearsal we didn’t go to the end of the play because we ran out of time. We were blocking scenes to get some idea of how to stage it. We think it will take about an hour of running time. We need to agree about staging it and what props and scenery we need. The makers who help design the sets looked at how to create the tree costumes, sorting out a wig for the witch, and have got a broom and papier mache stars, we need a cave with a canvas flap to show a boulder being rolled in front of it. Also whether people will come on and off the stage area or more sensibly to share half of the acting area as the witches cottage and the other half as the wood and cave. We definitely need people. One of the people was good as the witch and another did a good Greta (the witches assistant, I’m  not sure if those people will be final characters we still need to look at who is available and happy to do it. I helped by playing a woodsman that was turned into a tree  because of trespassing in the witches wood and also a girl who is helping to look for names of the six towns of Stoke-on-Trent. I’ve got my fingers crossed that we can literally get our act together!

Props

A whale that was made for the Penkhull Mysteries plays. It was used in the story of Jonah  and the Whale and the story of the river Trent which rises on Biddulph Moor and travels through England in a North East direction to eventually flow through Nottingham and on to the Humber Estuary at Hull. This was made of willow withies held together with masking tape then covered with water based glue and newspapers (papier mache). It was painted white to block out the printing and then painted in grey black and white. The makers added serrated teeth and the jaw was articulated so it could open wide. I think the throat and tounge were painted pink and white. We made lots of props for the plays including a set of horses, butterflies, flowers, plants, and all sorts of other objects. I used to help paint some of them and also large flat boards that were joined together as scenery. I hope we get to do more this year.