New paintings and regular art updates.
In the past I used to do 8 ft square boards of scenery for the Mystery plays, and I could paint rapidly. Now it’s taken me all my time just to do this and a few bits and bobs. I don’t have the strength in my arms so this was mainly painted with a small brush and instead of using a full sized board I have one that has an extra couple of bits stuck on. It has a hole because the back of it was already painted as a cave. It’s due to be a witches cottage I still try to be me.
At today’s rehearsal we didn’t go to the end of the play because we ran out of time. We were blocking scenes to get some idea of how to stage it. We think it will take about an hour of running time. We need to agree about staging it and what props and scenery we need. The makers who help design the sets looked at how to create the tree costumes, sorting out a wig for the witch, and have got a broom and papier mache stars, we need a cave with a canvas flap to show a boulder being rolled in front of it. Also whether people will come on and off the stage area or more sensibly to share half of the acting area as the witches cottage and the other half as the wood and cave. We definitely need people. One of the people was good as the witch and another did a good Greta (the witches assistant, I’m not sure if those people will be final characters we still need to look at who is available and happy to do it. I helped by playing a woodsman that was turned into a tree because of trespassing in the witches wood and also a girl who is helping to look for names of the six towns of Stoke-on-Trent. I’ve got my fingers crossed that we can literally get our act together!
A whale that was made for the Penkhull Mysteries plays. It was used in the story of Jonah and the Whale and the story of the river Trent which rises on Biddulph Moor and travels through England in a North East direction to eventually flow through Nottingham and on to the Humber Estuary at Hull. This was made of willow withies held together with masking tape then covered with water based glue and newspapers (papier mache). It was painted white to block out the printing and then painted in grey black and white. The makers added serrated teeth and the jaw was articulated so it could open wide. I think the throat and tounge were painted pink and white. We made lots of props for the plays including a set of horses, butterflies, flowers, plants, and all sorts of other objects. I used to help paint some of them and also large flat boards that were joined together as scenery. I hope we get to do more this year.
Scenery painting from a few years ago… I think I got the arms too long, the flame too small and the head too small too! But anyway it gives an impression of lady liberty. This was done for a pantomime just before or after the pandemic. I can’t remember.
And….. I think all that is happening in the USA at the moment has pantomime qualities. The two ugly sisters are obviously two billionaires. The fact that in a pantomime they would be men wearing drag is very ironic!
Who is Aladdin or the hero of this panto? Who can say, but it needs to be someone brave who will stand up to bullying! Maybe he should be a Robin Hood character instead, taking from the rich and giving to the poor?
Lady Liberty could be a Cinderella figure, she is there to support the huddled masses and the poor. She understands their situation as she is an immigrant from France.
Finally the whole thing is stage managed with boos and hisses… Evil takes control for a while but Good will triumph in the end. And the baddies will be banished!
Memory of a prop for the Penkhull Mystery Plays, I think this was a couple of years before covid?
The inventor of the spark plug, Oliver Lodge, lived in Penkhull and there are two local streets named after him, Oliver and Lodge Roads.
I can’t remember exactly what happened in the show but we had to try and make this pretend engine start with a starting handle and inserting a spark plug into the top of the engine.
I do think the prop and scenery people were fantastic. I got to paint some of it and make some of it but there was a great team of volunteers including making things from willow and papier mache, seamstress and stitches and making towers and buildings from bits of two by four and 8ft x 4ft flats of hardboard.
Hopefully the Mystery Plays will return in the summer of 2025.
Before covid (bc) I painted a series of pictures of places the cast of the pantomime I was in travelled through to get to Gretna green in Scotland (they had no sense of direction). This was one of the destinations.
This popped up on my Facebook memories. Imagine 8 or 10 people walking along and each painting being moved across the stage behind them. It was fun.
I’ve just spent two days working with BArts and Growthpoint. They were putting on an opera show about Molly Leigh.
There were three scenes today, a church where a vicar was criticising a local woman called Molly Leigh and saying she was a witch, turning milk sour and having a blackbird as a familiar. A pub scene where there were customers and staff gossiping and talking about Molly saying good and bad things, like she borrowed money and didn’t pay it back, but then gave a family with a sick child several pints of milk so the child recovered. Then the final scene where a community choir came together to sing from her perspective bringing out the various aspects of her life. Each choir member was playing part of Molly as a whole.
The photo is of the cottage interior with a few of my bits of painting included. I have to say it was hard work, tiring, very intense and yet life affirming. I did more in two days than I’ve been able to for a few years and now I’m absolutely shattered.
So tired,
A day full of painting ad singing, I was helping with the Molly Leigh project at BArts. I offered to paint a picture for a wall in the witches cottage, I ended up painting a fireplace too. I only did the morning as I wanted to join the choir and to be honest I was so stiff and tired after I’d been painting I almost fell asleep in my chair!
For years I painted the scenery for the Penkhull Mystery plays. This one was about the river Trent starting near Stoke on Trent and travelling towards Hull. Each year I would do one or two large sections of painting. The show would start rehearsals in March? And be on in July for one day only on the village green. I miss those days. The excitement as we prepared and made things. Brilliantly directed by Greg Stevens. And organised by him and Kate Barfield. It had everything. Music, acting, tragedy, comedy. Plus morris and molly dancing, a bower of song, a Maypole dance, eukelali players and choirs. I don’t suppose we will do it again?
Thanks to my friend Tim for the photo.
Penkhull Pantomime this year is Robin Hood. It will be on in Stoke on Trent again next week, the Penkhull group is performing at our local village hall. I was not able to take part in it this year because of my ill health, but I am pleased that they will be using some small paintings of scenes I originally did three years ago. I’m trying to source some fibreboard so I can do a final painting, it will be based on a celtic design that I found and as it’s about Scotland there will be thistles and a stags head. I haven’t painted it yet but no doubt I will post about it when I’ve completed it. The photo here is me waring a mob cap in a performance I was in back in December.
Mallaband-Brown