Excitement

Tell us about the last thing you got excited about.

Jupiter tryptic

A couple of weeks ago I was excited that one of my paintings would be entered into an astronomy competition. A magazine wanted to see people’s artwork so I sent in this image. Then I got a message asking me to send in again with a jpeg (it was) as an attachment (my phone sends the image embeded in the email).

I tried again, it did the same trick. I started to walk upstairs to send the image on my PC instead. Snap! That was when my ligament snapped.

Of course I emailed to apologise and explain. I also asked if they had anyone technically able to get the file as I only have my mobile to use as I’m stuck downstairs! I’ve had no response, no reply. I feel dismissed and fed up. Excitement, what excitement?

Autumn Spring

Although I was not able to attend the Open day at a spode this weekend, I arranged to have one of my paintings Autumn Spring exhibited alongside other people’s artwork. I think it looks quite good. I was experimenting with an abstract idea in 2019 just before Covid arrived. The idea is a mixture of oblong and squares on the Autumn side, all jumbled and crammed together and is opposed to Spring which is more lyrical and fluid. Representing overwhelming waste and damage, and what we are doing to the Earth, and the renewal and regrowth that the Spring could bring.

The Art and Craft

What do you love about where you live?

My mural based on a ceramic design called Umbrella by Clarice Cliffe.

Stoke-on-Trent is a city built on Art and crafts. From Wedgwood and Brindley and the industrial revolution.

Ceramics were the main manufactured goods in the city. So much so that it became known as ‘the Potteries’. Different pottery owners experimenting with different materials, trying to make pots that could stand up to the quality of Chinese wares.

Manufacturers had water, clay and coal from the local area. Pots were transported out of the city on the newly built canals that linked it to the rest of England and then on to the world.

Designs were transfer printed onto plates and cups, opening up cheaper wares to the general public. But other work was hand painted and lined with gold and other precious metals.

What was needed to make all the pottery? Workers, making, turning, transfer printing, painting. Numerous jobs including the famous Saggar Makers bottom knocker. (You can Google this). The work couldn’t be completed without skilled labour that could translate designs into reality. Some female paintresses were allowed to sign their names to their work. Like Susie Cooper and Clarice Cliffe.

So much skill in one city. Burslem school of art taught many of the artists that were to work in the ceramic trades. One famous artist, Arthur Berry, became a fine artist and writer and play writer. He was one of my tutors at college. That’s why I love this place.

Afternoon views

A few views of where I set up to paint along side a family, gran, mother and daughter who were all painting. I really enjoyed the company. It’s good to be finally involved with other artists. We were at the top of the slope looking down at the Hall. Other people arrived and some went on to paint the lovely garden. I’ll post a few more photos later.

Ford Green Roof

Watercolour painting done today, mostly of the roof of Ford Green Hall. I started over to one side so it’s a bit squashed up on the left. I was just finishing as the rain started to come down so we went inside the cafe there for a brew and a cake.

This was a plein aire (spelling?) with the Orme Art Group. Our last session until we start up again in September.

I really enjoyed being out in the fresh air, although there was a noisy motorbike (2 stroke) zooming around and being very annoying. Ford Green Hall was built in the 15th century. Brilliant place to visit and there is a nature reserve at the back.

On display at the cafe

My paintings still on display at Etruria Industrial museum today. The bottom painting has just been added. It’s called Phil, morris man/cyber punk and it’s for sale.

The museum is holding steaming days tomorrow and on Sunday 30th July 2023. The beam engine ‘Princess’ will be in steam and running the grinding pans that used to break up flint and bone for use in the manufacture of fine bone China.

I love painting images that are based on pottery manufacturing, but also poppies are a favourite flower and there are two paintings there that incorporate them.

Maybe you will get a chance to visit? Have a great weekend. X

Small painting sold!

Bit of a bad photo but I had some good news today!

Great to hear I’ve sold this which was on exhibition at Etruria Industrial museum. It was only a small painting of the governor on the Princess beam engine at Jessie Shirley’s bone and flint mill at Etruria, Stoke on Trent. I took another painting up which was also based on a photograph that I’d taken at Etruria at its last steaming event.

Old work in progress

This is my phone screen saver. It just cheers me up to see it. I only have it because someone asked me for a copy of a painting I did forty years ago.

You can see how I’ve laid the scene out and started filling in the image. I don’t tend to underpainting but go straight in with colour. I rarely sketch in the image, but because this was going to be a copy I had to fit the buildings on properly and also it helped with the perspective.

This is about four years old. I can confirm its new owner was very pleased with it.

Little poppy

I had a lovely afternoon out so I gave my friend this small painting to say thank you. It’s only about three inches square. We had gone to a garden center so I felt it would be nice to give her something floral. Poppies are my favourite flower, vibrant and silken looking. This is a simple painting in acrylic. Drops of dew or rain sit on the petals and shimmer in the light. A bud ready to burst sits next to the flower with it’s promise of further beauty.