Urban sketchers, on the roof.

I almost missed this today. We were invited up to the bridal suite in the Potbank Hotel to draw the views from the top room. The windows look out over the Spode factory roofs and beyond….

By the time I got there I was very late. I only had 45 minutes to draw. So I drew the view with the iconic Spode chimney first, looking out over Stoke Minster and part of the town hall. Then in the last 15 minutes I drew the cupola? of a building, its prominent as you look over Stoke. Turns out its an old co-op building. I only found out because as I was leaving I bumped into another urban sketcher who had not been able to get there in time. She had done research into what it was.

I might not have done as much as I wanted but it was fun. I would like to go back and do more.

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Long weekend

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What a long weekend! Two days manning the pop up exhibition at Etruria. I didn’t have much time to look at the static steam engines on display yesterday or the classic cars today. The place wasn’t buzzing but there was a constant stream of people coming in. Most of them were interested in what we were doing, what the building used to be used for, or decided to let their children make things with clay. A few people walked in took one look and walked out again. Sometimes they even asked where the tea room was.

Etruria Artists had paintings, photos, ceramics, jewellery and even painted stones on display. It was good to share the space with other artists there. I even bought a pottery frog, a mug and a whale.

So many people to talk to, to help, to explain to. I also helped a bit children with modelling clay. My friends usually do this and I just helped when they were not around. We made frogs and ladybirds, and an owl. Sadly I didn’t take any photos of the pieces as I forgot my phone.

 

 

Metal working tools…

And other images from the Forge at Etruria. I was there today and took a few photos in the beautiful mid September sunshine we had today.

When the sun is bright and low it casts deep shadows and picks out intricate details that you might otherwise miss.

The glow from the flames of the Forge added to the atmosphere, you can almost feel the heat coming off those flames.

The Forge is the domain of Sculpted Steel. You can see demonstrations of the blacksmiths work on open days at Etruria Industrial museum.

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Blacksmithing

We went to a blacksmithing workshop today and bashed metal with hammers between heating it up in a forge. It took a few hours to learn how to make a coil of metal as a keyring and a letter opener.

Our tutor was Charis Jones, who runs Sculpted Steel at the Forge at Etruria Industrial museum. She patiently talked us through the many steps to turn both a bar and a strip of mild steel into the objects we chose to make. Other choices included a snail and a poker.

I don’t have the grip I used to have and trying to hold a piece of metal in a pair of tongs was very difficult. I dropped my work on the floor a few times, and you can’t just bend over and pick up red hot metal, you have to be very careful. Luckily no one got burned despite handling white hit metal.

The hardest thing is being able to hammer properly, my wrists felt weak and my arms were aching. (They still are).

You can see our efforts and what we were trying to do in the photos. They are next to the examples of how they should look. I overheated my letter opener blade and the tip broke off. Luckily Charis sorted it out (which is why it’s shorter than my hubbies work). He seemed to take to it naturally and it helped calm him down. Very good for concentration and ‘flow’.

I think having an experience like this gives you an insight into how difficult the craft of blacksmithing is. What you realise is that it may look simple, but it isn’t!

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Autumn flowers

And foliage. At Trentham Gardens, I love the colour combinations, yellows and purples, reds, oranges and greens. Really rusty beautiful sculptures are inserted into the borders to add to the joyous jumble. Giant bees jostle metal flowers, knopthalia (red hot poker plants) and crimson and variegated Coleus add their foliage flames to the fire. Makes you feel warm on a dreary day.

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Good friend

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I’m here at the Open studios and I keep getting tongue tied. I need to explain about my art, but for some reason I become shy, it’s like trying to display my mind to the world. Cut off the top of my head and scoop out all the swirling thoughts time…. But… My good friend came along today, she greeted people cheerfully, asked them into my studio, said how I was a good artist, (by this time my head was in my hands with embarrassment) and encouraged them to think about commissioning me to do some art for them.

I was really pleased and mortified at the same time. I think it’s that British thing if too much modesty. It’s a learned habit that makes you feel like the “I’m not worthy” characters you see on TV or in books. Do you know what I mean? I felt it was far easier to just say “hi” as people walked past.

Thank you my good friend!

Artists statement

Usually I don’t include artists statements because I think my art should be self explanatory. However as I was exhibiting a painting about what Spode means to me, I said that it was about how Spode is now, that I have only been there for a few years. I also said that I wanted to include  the history of the buildings and what was going on outside the building and how exciting I had found the experience of painting it.

I think it made sense, it’s difficult to know how long to make it and how much information it required.

What Spode means to you?

 

One of the things we did at the Spode open days was encourage people to get involved and either draw pictures of spode, draw a design, or write what Spode meant to them on a card. We got a few responses. I think now they are there they may be more on Sunday. The idea was that people could respond to the art exhibition we are holding in the foyer from artists who either work in the building or who have been involved in other projects there or who previously worked in the factory.

Tidying my studio

It had to happen, I’ve moved things round so people can get into the studio for the two open days tomorrow and on Sunday. I got rid of a bit of junk and moved some paintings around. I’ve also moved my big table to the back of the studio instead of its old position where it was not really being used. What I do need a small table to put my paints and palette on. Maybe an old stool or something. I have another chair which I could use but it has a back which might get in the way.

So I’ve got two days to try and meet and greet people. If you come along you will also see a fantastic exhibition of people’s idea of what Spode meant to them, and of course the British Ceramic biannual in the Spode China halls will have started so there will be so much to see. Enjoy!