New paintings and regular art updates.
My painting of a green woman is coming on. I did some more today. I’m adding more metallic colours, to bring out the sheen on the leaves. Also I want to improve the background of the image. Hopefully it will feel more coherent when it is finished. Acrylic on canvas.
Some of my tiny miniatures hung at the cafe at Etruria Industrial museum, for sale at the Etruria Canal Festival in Etruria, Stoke on Trent, this weekend, 1st and 2nd June, 2024.
For reference these paintings are about 2×3 inches.
Painted on canvas in acrylics. Took about an hour, just keeping my hand in. I worked from a photo I found on the Internet. I just liked the colour of it. Hard to catch the subtleness.
Painted last year from a photo of an autumn wood. I’m in another group of artists on Facebook that does weekly prompts. This week was #tree, #trees, #forest, #forests. What gripped my attention was the russet, orange and bronze leaves on the forest floor and following the contours of the deeply worn pathway through it. Some paler leaves are still clinging to the trees, and the distant foliage is pale blue to send it backwards (I might have used pale grey but I liked using the complimentary colour to the oranges.
What is the legacy you want to leave behind?
I draw, paint, create digital images, do set decoration. I am an artist and always will be.
My legacy is a house full and more of this stuff. Where will it go when I die? Will it be welcomed by my relatives or just seen as clutter? Should I will it to them or give some away to my local art gallery? Does it have any intrinsic value.
My art is in my memories, but some pieces are lost. Either mentally or physically. Sometimes I’m surprised when I see work from several years ago that I don’t even remember doing or having the ability to do it. My manual dexterity and sight have started to deteriorate. May I continue to create till I finally lay down my paintbrushes!
I was asked to paint some bees today for a craft fair at Growthpoint to raise money for the group. I painted one large bee on a flower and three small ones. I like going to the group. It’s helping me feel a bit less anxious. I can talk to the people there and get things off my chest I’ve had a lot of things to deal with over the last few months, I just want things to calm down.
I might do some more to this tomorrow but a full day on it has knackered me. The sky is a bit wrong and I could darken some of it to add shadows. I think the roof is too light too so I might add blues and browns.
It’s for a project about Molly Leigh but I might also try and enter it for an exhibition. I want to make it the best possible representation.
This is hard work, I don’t shake as much when I’m concentrating but the tremors of Parkinsons make small details difficult. I try and hold my breath and clamp my arm against my body. In fact I’m having to redo sections because I’m not happy with the results, but I will persevere, memory of Molly, work in progress. Acrylic on canvas. Copy of a mural I did at the Leopard Hotel in Burslem, Stoke-on-Trent. Difficult to reproduce the same feeling.
Trying to recreate my Molly Leigh mural as a painting. Work in progress. Acrylic on canvas. It’s a lot smaller, about 12 by 18 inches? There’s a lot of detail to try and get and I’m adding a painting of a Jay. The bird was apparently the pet (or familiar) of Molly who is called the Burslem witch.
Going through my art trying to find images with sunlight in them. I came across the this semi abstract portrait of a Steam Punk. It’s from a photo I took at The Etruria Canal Festival either last year or the year before?
I like experimenting, especially since my arm shakes, so I can integrate that into the paintings, or try something even more different if I want?
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