I was painting a backdrop for the final penkhull mystery play before the pandemic. It’s unlikely the plays will be continued, people get older or move on. The children who used to be involved are growing up. I don’t feel able to do anything like this any more. I can do some things but I shake too much to get delicate work like this done. At least I have memories. Willow pattern design I made up.
Seven years ago I had a small exhibition at Etruria Industrial museum. This blurry photo just came up on my Facebook memories.
The blurry image of my painting was taken from a photo of my friend with a white elephant she had made of paper and willow withies. She was sewing a rich red and yellow fringe around it as way of hiding the legs of the person who was to carry it. The back had a hollow ‘houda’ I think its called? Like a basket to sit in. This was so a person could carry the elephant but look like they were riding it. I loved this representation of the elephant and decided to paint this image. My friend had the painting. The elephant? I think it was destroyed in a fire in the shed where it was stored…
The props for the penkhull mystery plays were made using willow withies tied and glued and then covered in paper and glue and painted white, then volunteers decorated them. I had fun giving a couple of horses a Picasso feel. I don’t remember if it was me or another volunteer that painted this one. There were four horses for an apocalyptic scene! I think we made a monster too but these are the photos from 9 years ago off Facebook memories.
Nine years ago I was helping with penkhull mystery plays. Painting flat boards for scenery and Picassoesque horses which were props for the show. I really miss those days. The plays were sometimes religious or sometimes historical. Covid seems to have ended it. We all got older and it was hard work for the organisers to keep going…
One of the Art groups I’m in wanted us to post a picture based on the prompt #movement. This was from my imagination after swimming with a wild dolphin called Georges. It had swum into a bay where we were caravanning and stayed around after the rest of his pod had gone. There was a notice the next day saying you shouldn’t swim with him because he was over friendly and dolphins can pass on pneumonia from the droplets from their blowhole. Anyway. I loved painting this and have great memories of swimming with a dolphin!
A friend just sent me this photo. It’s one of my little paintings in someone’s kitchen. Just a simple design. I was rather pleased to get this. Knowing my art is appreciated cheers me up!
Before it burnt down, the Leopard Hotel was a great place to visit, the owners asked me to paint a series of murals in the Arnold Bennett suite at the back of the hotel.
Here is one of a few photos a visitor to it took of my paintings. It doesn’t show them clearly, but it does give an idea of the sizes and the distances between them.
I’ve painted murals at other places but the buildings they were in have mostly been demolished! I’m not complaining but I think its sad that all the effort that was put in to paint them has been lost. Some of them were joint projects with artists from Stoke-on-Trent city council. I was just helping on those and wasn’t the main artist so I don’t feel as attached to them as I did with the Leopard. Such a sad loss to the town of Burslem. It was a historic building that had a lot of influence on the lives of its residents.
Another old painting from 2015, I’m not quite sure what I was thinking and it’s probably best forgotten!
Things I would change? The colours possibly. I would try and work from a horse photo because this isn’t very anatomically correct, I know it doesn’t actually have wings either! I guess I’ve made it delicate to be light enough to be held up by wings… Strange what you create as an artist.