Today’s sketch portraits, I used cut up mono prints that I had made for the print workshop earlier in the week. I glued bits down then added black calligraphy pen and fine liner, then graphite from a graphite stick. I had to unstick one bit of paper and redo it because it was wrong and overlapped bits of the drawing. …
This weeks portraits using a little ink roller that normally is used for blotting out addresses to draw the basic structure, then soft pastels to colour them and a bit of black ink. Used hairspray to fix them.
The second set were played with in the Photodirector app I have, but I only put them through one filter.
Illustrations I did almost forty years ago of pre Christian Celtic art for my thesis.
This is in response to a post on the The Silent Eye by Steve Tanham this morning on Celtic Art. It was very interesting and informative. It reminded me how I was influenced by the patterns they created. It also made me think about the Staffordshire hoarde of Saxon treasure that was found in this area about ten years ago. Similar but different.
The skills of the artesans that made these was immense. In an age that had no technology except for the hand eye coordination of the makers it is incredible what they could make.
Today’s prompt was Rooves (roofs). I looked out of all my windows and this view from the back of our house came closest to the remit. The sun was low and shining in as I drew this so I had to scoot across the bed so that I didn’t get completely dazzled. Most of the view is taken up with shrubs and trees. A few roofs in the distance, in silhouette. I managed to see more as the sun started to set, but it had to be done quickly. For our #bandofsketchers group.
View through the window, from our living room. Our TV is at the bottom of the page. We have a pottery (Portmeirion) opposite where we live. They do have some ground that they garden, but they used to have roses scrambling all up the building. Sadly some of these have recently been cut back so the view is a bit less colourful now. Higher up the hill they are still there, still in flower. This is in a small sketchbook and is drawn with felt pens, some permanent markers a few coloured pencils and a thin black ink pen. The image on the TV is grey because we were watching a black and white film.
Today’s Urban sketchers drawing was to draw what’s in a bag. I have drawn a plastic bag containing different items obscured by the plastic.
Ink pen size 0.5,iI think I possibly should have used a bigger nib? But it did mean I’ve goy some nice fine lines. I think we are about half way through this set of challenges. The are happening three times a week. It’s keeping my mind occupied. I have other things I need to get done that I’m putting off!
Making not made! I found some rye flour and half a pack of yeast in the cupboard. Hubby and I both worked on it. Really tough to knead. We added porridge oats because it was too squidgy and I’d run out of flour. It’s taking time to rise but hopefully it will be OK… X
Update, cooked OK its a bit doughy in the middle. Not bad. Had some hot with butter.
I did the drawing as today’s challenge was something you’ve made for the urban sketchers new challenge. It’s black ink pen in my A5 cartridge paper sketchbook.
I just thought I would show you a close-up of the apple I drew today, so you can see the effect of layering up pencil crayon and permanent marker, black ink pen, and charcoal pencil. I enjoyed using fine lines to define the shadows. I was going to leave a patch if white paper as a highlight on the apple, but when I looked at it, it was to white. So I used orange, red and pink permanent markers to try and make the apple stand out. Using different colours and textures is really exciting, it makes the image less flat. But I’m not trying to make it 3d either.
I’ve been taking my sketchbook with me recently because of doing the one inch drawing challenge. That’s meant that I have drawn pictures as well as photographing them.
Yesterday I was looking at autumn trees in front of black and white buildings (the architecture looks like its from the 1920’s or 30’s.) Sturdy, tall trees were starting to colour up as autumn starts to bite. The branches were swaying and soughing in the wind. This is a season I can relate too. It’s sometimes quiet and misty, other times dramatic. That’s what I enjoyed about drawing it. Trying to bring a bit of that drama into it. You can’t draw every individual leaf in a ten or fifteen minute sketch, but you can try and add movement.
For information I used an a6 sketchpad and a unipin fine line pen size 0.8.