Nothing

DSC_1772

Couldn’t resist posting this photo.

On this site sept. 5, 1782 Nothing happened.

The day before had been busy, barges were loaded with pottery to take away on the canal, horses pulling the barges to distant towns along the trent and mersey canal…. . Seven days earlier a load of clay and ground flint had arrived. The pottery has been thrown on wheels or cast in slip. Then into the kilns so that they could be fired biscuit hard. The paintresses had decorated each pot with beautiful designs. These were the pots that were spreading out over the land now.

But today nothing happened.

Mable smiled at  Jeremiah, he smiled back, but nothing happened. Mabels father was not approving of Jeremiah, he was only a lowly saggar makers bottom knocker, making the bases for saggars. These were the pottery cases that fine pottery and china was fired in to protect it from the smoke from the coal. Jeremiah had no prospects. He was younger than Mable. She was the owners daughter.

All she could do was smile. All she could do was hope things would change. But today …

Nothing happened.

Maybe one day it would ..

Spode pots

Spode heritage Centre is closed at the moment because they are choosing photos for the 3 counties open photography exhibition. I had a quick glance as I was meeting the man in charge of the space to make arrangements for a show I’m holding there in May/June this year.

I have some paintings ready, but I might use photos from the Spode shop as inspirations for new paintings. I’ve been doing a lot of Blue and white work and the ceramics there are very striking. I also like looking through cabinets or windows to the view beyond. Using them to frame the subject.

Anyway my suggestion for today for you is “stay curious!”.

Thank you Alchemist

Look what came in the post today!

It’s a postcard from The Alchemist, a blogger here who makes wonderful Raku pottery. He had asked his readers to come up with a name for a vase, and a little explanation or story to explain the thinking behind the name.

My idea was “copper tear” based on the colour and the shape of the vase. I didn’t win, but The Alchemist promised to send a post card to anyone who entered.

It’s good to be in contact with the lovely people here on WordPress!

Thank you, The Alchemist

X

Wedgewood artisan market

DSC_1311DSC_1312

It was a fairly bright morning once you dodged the rain showers so we decided to visit wedgewood artisan market (2nd Sunday of each month). It’s at the Wedgewood factory, near Barlaston,, Staffordshire. We had a fine potters full breakfast in the dining room there (with beans and oatcake). Our friend from Yorkshire was visiting so it was good to show him one of the local attractions. Once we had eaten we went round the outdoor and indoor stalls. Charis Jones with her Sculpted Steel was there, together with Pat Myatt and her potteries art work. Other stalls included whisky fudge, crafted wool blankets, various cheeses and cakes, you could even buy your own fairy kit to make a fairy like the ones at Trentham Gardens. My partner bought me a kit and I bought him a wood turned pen. We also went inside the wedgewood visitor centre and I spent a happy hour trying to create a cat design plate. The pens and pencils they had were not very good but hopefully the image on the plate (a lithograph) will be OK.

I took a couple of progress photos but not one if the finished design. It might take 6 weeks for it to be delivered though…

Looking at backstamps

dsc_1006

What are back stamps??

They are the trademark or manufacturers mark  that you find on the bottom of cups, plates and dishes that shows who made them.

This can be useful in identifying the manufacturer, whether they are antique and if they are worth anything. Sometimes they even get forged! People have added things like the Clarice Cliff signature onto modern pots to try and fool people into buying them as originals.

Some pots have simple marks on their base to identify them. Others have complicated patterns and writing.

The people who live in the potteries (Stoke-on-Trent). Have a habit of looking underneath pots to see if they have recognised which pottery made them. I think it’s called the “turn over club” but I may be wrong…..

Windows…

sketch-1547765846132

No not the trade marked version. But old windows at Spode. Dusty and dirty and empty of footsteps, no faces staring out of them, no lights behind them, no shapes of pottery stacked. Life is quiet for the factory, silent. The place is shunned, surplus to requirements. How can it still exist?

Time passes, new movement as people take up spaces. Shift of light, shift of direction. Art and theater, people sleep on site now in the hotel. The chance to regenerate like a time lord. The site has age and power behind it. The ghosts look on, seeing the lights, wondering what will happen next. Will they be evicted from the deep soft clay dust that coats their footprints and hides their breath.

A friends exhibition

Here are a couple of photos of my friend, Alice Thatcher’s, exhibition on at 118, Church Street, Stoke, Stoke-on-Trent. It’s on from today, and is made up of peices of porcelain made by placing thin layers of the porcelain clay on paper and then firing it.

The exhibition is called “Porcelain and Paper”. I’m not sure when it’s on till but it will be visible through the windows of the building until the show ends. The pieces are delicate and fragile. They are displayed in various ways along with drawings of them.

 

Tiles

Tiles at Gladstone yesterday.

I think they are by Minton which was a Pottery that went out of business a few years ago when a lot of Pottery manufacture went abroad because it was cheaper.

I know lots of people admire these tiles and they are often found in hallways in old victorian houses in this area. Our local church, St Thomas’s has tiles by Minton. The factory was based in Stoke-upon-trent, which is one of the six towns of Stoke-on-Trent.

Many of the people in the town were laid off from factories in Stoke, including Spode. Only a few places still make Pottery now, including Emma Bridgewater, Portmerion, Moorland Pottery, Moorcroft and I think Wedgwood…. There is also a tile manufacturer called Johnson’s tiles. But nothing really compares to the beauty of Minton.

Raku and sawdust..

While we were at Gladstone today we saw a couple of interesting ceramic techniques. The first was by a lady called Tez. She was firing some raku Pottery. She had some pots in a metal bin with a gas jet heating it at the base. I didn’t find out what temperature she was firing at, but she said it takes about 40 minutes for a firing plus the work on the pots afterwards. Once they had been fired the pots were taken out of the bin and put in another one to rapidly cool causing crazing in the glaze. The lady put lots of beech shavings on top of the pots so that it smothered the fire. We were told that the wood sucks the oxygen out of the air around the pots and is a reduction reaction causing the copper in the glazes to shine through in a wonderful sheen.

The other technique we saw was more subtle. This time another potter put her pots in a box of burned sawdust ash. The pot was then covered in fresh sawdust mixed with white spirit. She sprinkled some of the burnt ashes on the pot to mask some areas then set light to the sawdust. As it burned it gave a mottled effect on the pot. It looked like it was being aged.

Finally there was some traditional stone ware pottery for sale. Fired in an ordinary kiln but also lovely to look at

X