New paintings and regular art updates.
Can you see this… Sketch of an accordion.. On the back of an envelope in pencil. I loved the curve of it. The way the lines flow up through the instrument and into the knitted jumper. Yes I loved drawing the hands as he played. There is a round table with a half empty glass of bass beer (with a triangular trade mark), a notebook and his mobile phone. Plus a bass beer mat. I am not advertising though. It was lovely and welcoming at the Beehive pub in Honeywall, Stoke-on-Trent.
It should be a good afternoon, the previous one for Halloween went really well. I’m hoping friends will be able to come and listen to our group read stories and poems with a possible festive twist. We hope it will be cosy and cheerful.
It’s almost a couple of years since I left the Acava art studios at the Spode factory site in Stoke on Trent. I had some good times there painting and getting to know some lovely people.
I won’t miss the freezing cold corridors in winter. I was cosy in my studio, but open the door and the temperature dropped. If you went and made a coffee in the kitchen it would be tepid by the time you got back to your room!
The building had a large mass, which didn’t matter when the kilns were lit, it would hold heat really well, but as a result of the pottery closing and being emptied the building no longer stays warm.
I miss being there. I’m sad I had to leave. But I could no longer afford it. At least I got some good photos while I was there.
Who is the most famous or infamous person you have ever met?
Arthur Berry was an artist, author, poet and playwright from Stoke-on-Trent, Staffordshire, England.
Arthur was also one of my tutors at college and I was really happy when he said my paintings had a bit of something about them. He always seemed to wear a flat cap and tweed jacket. He was a well built man but had a withered arm. His voice sometimes boomed with emotion and joy.
His art is distinctive, charcoal and pastels, oils, mixed media. Often called the Potteries Lowry, he depicted local people and the interior and exterior landscape of the industrial north Midlands city of Stoke-on-Trent.
The works are semi abstract and strongly atmospheric. The portraits show emotions and feelings, aging couples kissing. The titles are often amusing.
Arthur wrote a series of intriguing plays, darkly comic. Set in old libraries or local pubs. They depict everyday life in the 6 towns of potteries, Grit, Grime and Clay. I saw several of them in the Victoria Theatre in Hartshill. This was replaced by the New Victoria Theatre in Newcastle under Lyme.
Arthur’s poems were funny and about his life and surroundings. His “ode to the oatcake” celebrating a local food delicacy which he once described as the potteries papadum
He really was someone worth knowing.
Old buildings in our city don’t always last. They are often left to rot. Trees and bushes grow out of brickwork, splitting the seams and unzipping the building. Making the ancient pottery a ruin.
Some places dismantle buildings. For example the Black Country Museum in Dudley, West Midlands, England. It often numbers each individual brick of a house, or factory, or school and rebuilds it within the grounds of the museum. It has working chain makers and underground canals that run through caves with fossils imbeded in the walls.
Meanwhile our industrial heritage in Stoke on Trent is gradually rotting, or is even burnt down by arsonists. We really should take better care of out industrial archeology even if it means donating it to the black country museum.
Found an old photo of my mural of Walter a regular at the Leopard Hotel in Burslem, the other picture is my reimagined portrait of Molly Leigh, based on the mural I did of her. Both murals were destroyed when the pub burnt down a couple of years ago. I might try and recreate the Walter one too. The final photo is of my Molly Leigh painting and my Spode circular window painting in the Orme Art Group Exhibition at the Brampton museum and art gallery in Newcastle under Lyme. It’s on at the moment.
Recently found on my phone, photo taken a few years ago.
One of my murals from the Leopard Hotel in Burslem, Stoke-on-Trent, it burnt down a couple of years ago. Portrait of Walter a regular there.. Mural, emulsion on lining paper. I had to paint it a few feet up the wall, the paintings were painted within a frame attached directly to the wall. I just noticed his hands are too small!
Unfortunately like many other ceramic factories it has closed. The cost of gas and electricity means that a once thriving local industry is dwindling. Stafford pottery was one of the latest victims.
There are still excellent potteries that create designs and pieces of art for the 21st Century. Portmeirion, Emma Bridgewater, Wedgwood are a few that continues to produce beautiful work. It’s hard to say whether they will still be producing ceramics in a few years time. We also have a company called Lucideon which undertakes research and development of ceramics for such things as electrical insulators, non slip tiles and other diverse uses.
Hopefully this city of potters will continue to survive well into the future.
In its prime a few years before it burnt down. Sadly one of the landlords passed away following an infection from a scratch. It sounds bizarre but it is sad that it eventually closed down after his death. The atmosphere was fantastic, with ghost tours and belly dancing groups, the hotel became a great place to meet friends while keeping a spooky edge to its historic building. In fact historical groups met there to discuss the Burslem riot of 1842. The troops were called in to quell it by reading the riot act. One man, Josiah Heapy was killed during it. Many more were wounded.
Old wooden floors and staircases, panelled rooms, hotel rooms at the back each with it’s own Victorian sink. How it must have impressed people who stopped there in the past. I miss the old place.
My portrait of Molly Leigh the Burslem Witch. Painted after my mural of her at the Leopard Hotel in Burslem burnt down a couple of years ago. Acrylic on canvas.
It was used as a prop in the Who is Molly Leigh? opera that was on last week. I was so proud and excited to be able to display it in public. I like creating narrative pieces of art as well as portrait so of people which I would say is my speciality. I’d like to poss create further portraits of Stoke-on-Trent famous people… Just a thought.
Mallaband-Brown