Arthur Berry

Who is the most famous or infamous person you have ever met?

Arthur Berry was an artist, author, poet and playwright from Stoke-on-Trent, Staffordshire, England.

One of Arthur’s portraits.

Arthur was also one of my tutors at college and I was really happy when he said my paintings had a bit of something about them. He always seemed to wear a flat cap and tweed jacket. He was a well built man but had a withered arm. His voice sometimes boomed with emotion and joy.

His art is distinctive, charcoal and pastels, oils, mixed media. Often called the Potteries Lowry, he depicted local people and the interior and exterior landscape of the industrial north Midlands city of Stoke-on-Trent.

The works are semi abstract and strongly atmospheric. The portraits show emotions and feelings, aging couples kissing. The titles are often amusing.

Arthur wrote a series of intriguing plays, darkly comic. Set in old libraries or local pubs. They depict everyday life in the 6 towns of  potteries, Grit, Grime and Clay. I saw several of them in the Victoria Theatre in Hartshill. This was replaced by the New Victoria Theatre in Newcastle under Lyme.

Arthur’s poems were funny and about his life and surroundings. His “ode to the oatcake” celebrating a local food delicacy which he once described as the potteries papadum

He really was someone worth knowing.

Vision Exhibition

Vision was a collectively curated exhibition by local artists exploring themes of aesthetics, sight, self-image, re-authoring and mythology, showcasing a variety of work including traditional painting, collage, resin and soft sculpture. Working outside the typical white cube gallery space at The Rigger Venue allowed for a unique and exciting exhibition experience. You could book a time slot to enjoy this Covid-safe art space with a table to sit, discuss and enjoy the art works after seeing the show.

Curation and artworks by Liz Ankers, Megan Kettle, Lorna Lakin, Christine Mallaband-Brown, Deborah Travis and Eve Travis.

Collaboration on Cezanne

Nine if us from the Orme art group collaborated to do this copy of a Cezanne still life. Each had a chosen oblong to copy. Mine was the sixth. With part of a peach and a glass.

Interesting how it turned out. I used permanent markers and a bit of watercolour paint. My colour pallette was limited by the colours of the felt pens. The other tricky thing was pattern matching, getting the fruit to line up and the colours to match. I think we did a good job. Wouldn’t mind doing another one. X