New paintings and regular art updates.
There is a charity collecting old bras that can be recycled and used for women in Africa (see the link). The charity gets money to combat breast cancer by collecting the bras and women in Africa who can’t afford them get a decent, useful, inexpensive bra that they can wear.
One of the stalls in the penkhull mystery play day did just this and collected Hundreds of bras. I’ve asked their permission to use their photo. Congratulations to them for taking the time to support the charity.
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16 short stories and poems, 11 authors, 6 readers, 1 host. We all had fun listening to many and various tales this afternoon. I wrote three very short pieces which I think I have already posted on here. It’s great to hear people laughing at your jokes and punchlines.
More about the day to follow later.
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Almost done. Tomorrow we do the mystery play. Museum scene, travel back in time, work in a pottery, get thrown out of your house, end up in the workhouse. Escape to go to school. A Sunday school performance, finale. Songs, humour, tragedy, history.
Penkhull Mystery Play event, Saturday 13 July 2019. Free event, starts in the church at 10am then on the church green from 1pm. Stalls from 11am. Lots to see and do… Sorry to keep going on about it!
I’ve finished painting for the penkhull mystery play, here is the willow pattern backdrop together with a school sign (set in the 1840’s). Im not the only maker, this is my friend Mark. There are others but my phone is playing up so I can’t find the pictures . Mark did the, ‘do not touch display’ sign. ( the play starts in a museum in 2019). So having a rest for an hour.
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Started with a large flowerpot covered in glue and paper (Papier-mache). Then painted it with a base coat of pale orange / brown acrylic paint when it was dry. I had put a slightly smaller pot inside to bulk up the sides and it gives a nice ridge around the top as if the Potter was starting to thin out the sides. I’ve painted light and dark bands as I wanted to give it texture, partly to hide the crinkly nature of the paper and also to make it look like he is putting ridges around it.
I’m not 100% sure of the colour, perhaps it should be darker, it’s like a pale terracotta I think.
In the play we are doing this weekend my partner has to pretend to throw a pot on a wheel. We don’t want anything big, heavy or breakable, so I’m Papier-macheing a black plastic flowerpot. I had to buy some pva glue but only wanted just enough, not a great big tub or a tiny bottle. So instead of the adult craft section I found a bottle of clear pva in the children’s section at a craft shop.
Got home and started ripping up newspaper. This is many layers later, I’ve added a few layers about two thirds up to give it a slight bulge. When it’s dry I will paint it white as a base coat then a pale brown “clay” colour with shading to make it look hand thrown. I’m hoping it will look reasonably realistic.
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It takes a lot to put a play on. Not just scenery but props and costumes. We couldn’t do it without the efforts of people making things, painting things white, gluing tea pots to boards, finding jugs and tankards, the infinite number of things that just help. So instead of pretending you can have something physical, like a coin to pay someone. Props make acting easier.
Then there is costume. Lots of things get re used, cut down to size, have material let in to make it bigger. Hats are made or sometimes built. Members of the cast bring in their own clothes to enhance the look of the play.
We might only be doing something that lasts 40 minutes but it’s taken a few months of hard work and planning to bring it all together.
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Where would the mystery play be without the music. This year as always provided by the brilliant Boatband and Clay Chorus choir.
I don’t want to give away the music or plot too much. But the singing covers dramatic action in the play. I know Clay have been learning the songs for a couple of months now and there are some poignant pieces to illustrate the conditions in the first half of the nineteenth century. We don’t realise just how much things have improved for both adults and children.
I think the audience are in for a treat this year if we all keep our cool and get it right.
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this is the scenery I painted last year. Two eight by four boards attached together to make an eight foot square panel.
In some ways painting on calico is more difficult because of the way the paint sits on it. However at least I’m not struggling to line up the two sections. I do love doing this. It makes my year.
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My friend took these on Friday. I was busy painting a willow pattern background for the penkhull mystery play.
I’m hopefully finishing it next week. I’m about half way through so it should be done on time. It’s a painting on calico that had been primed with white emulsion so the paint does not go on easily and it’s a bit wrinkled where the emulsion has dried. Anyway I will persevere. Then I’m hopefully getting some new paintings done for a craft fair and an exhibition in September. It’s all go!
Mallaband-Brown